This article presumes to achieve a relatively definitive philosophical treatment of the creation-science issue (concerning teaching evolution in the schools) identified as a complex and troublesome piece of public rhetoric requiring careful attention to a number of distinct points to gain an adequate response to it. Questions of fact, theory, logic, professional responsibility, human being, metaphysics, education, law, religion, and ethics are all critically examined with a sampling of pertinent sources. As an unexpected movement in our time (...) creation-science rhetoric represents many conflicting interests, most significantly a confused but legitimate call for philosophical thinking which should not go unheeded. (shrink)

For decades, cigarette companies helped to promote the impression that there was no scientific consensus concerning the safety of their product. The appearance of controversy, however, was misleading, designed to confuse the public and to protect industry interests. Created scientific controversies emerge when expert communities are in broad agreement but the public perception is one of profound scientific uncertainty and doubt. In the first book-length analysis of the concept of a created scientific controversy, David Harker explores issues including climate change, (...) Creation science, the anti-vaccine movement and genetically modified crops. Drawing on work in cognitive psychology, social epistemology, critical thinking and philosophy of science, he shows readers how to better understand, evaluate, and respond to the appearance of scientific controversy. His book will be a valuable resource for students of philosophy of science, environmental and health sciences, and social and natural sciences. (shrink)

Lloyd Jones’s *The Book of Fame*, a novel about the stunningly successful 1905 British tour of the New Zealand rugby team, represents both skilled group action and the difficulty of capturing it in words. The novel’s form is as fluid and deceptive, as adaptable and integrated, as the sweetly shaped play of the team that became known during this tour for the first time as the All Blacks. It treats sport on its own terms as a rich world, a set (...) of bodily skills, and an honest profession in itself. A reading of *The Book of Fame* can contribute to the interdisciplinary study of literature and cognition, exemplifying two-way ‘exchange values’. On the one hand, we gain insights into the nature of skilful group agency, of distinct forms and at distinct timescales, by focussing on the precise forms taken by the All Blacks’ creation of space. Here, we treat The Book of Fame as a brilliant evocation of features of collective thought, movement, and emotion that both everyday and scientific inquiry can easily miss. On the other hand, we also read back into the novel a subtle, fascinated interrogation of the mechanisms by which small groups form, evolve, and act. In this more ambitious mode of analysis, we use independently motivated theoretical concerns to help us see real features of the literary work that might otherwise remain invisible. We focus on the relationship between skilful performance and collective action. These topics fall outside the ambit of much current work by literary theorists using cognitive research, who tend to focus on theory of mind and modularity, metaphor and blending, emotion and empathy, consciousness and concepts, representation and so on. But skilled performance and collective action comprise surprisingly lively research fields across the sciences, from neuropsychology to philosophy of mind and cognitive anthropology. These areas of inquiry may provide even more productive avenues for future work in the interfield of literary and cultural theory and the cognitive sciences. (shrink)

Since 1983, legislators and advocates have introduced Land Access Policy Incentives in twenty of the fifty United States. These bills share a demographic goal: to fund land rental or purchase for young and beginning farmers and ranchers. States’ efforts to facilitate land access are part of a global movement to support farmers’ entry into agriculture and to resist farmers’ increasing exclusion from land. We examine the policy creation processes of nine states to describe how coalitions and government leaders (...) are translating their values around land access barriers into policy tools whose political appeal is broad. The bills often pass unanimously, and enrollments are strong: about 2,000 young and beginning US farmers and ranchers will purchase or rent farms this year through a few states’ land access policy programs. We trace the themes from interviews with 66 of the bills’ authors and advocates, and their documentation and media coverage, to demonstrate the values that bipartisan coalitions enlist to construct successful bills and the compromises that make them politically feasible. The coalitions’ values turn on the threats of rising land costs, farm expansion or consolidation, and land conversion out of agriculture. As a group, the policies serve broadacre farming operations while leaving specialty crop farms largely unserved. Two states have endeavored to include all farmers of color among their policies’ beneficiaries. Our findings demonstrate tradeoffs of states’ current Land Access Policy Incentives and suggest next steps for research and advocacy to inform policy development to support next generation farming opportunities. (shrink)

In a document penned under the direction of its then-president Cardinal Joseph Ratzinger, the Vatican’s International Theological Commission observed that many neo-Darwinian materialists and their Christian critics share a misunderstanding of the nature of divine causality. This article explores the thought of Joseph Ratzinger in view of proposing the features of a path that seeks to eschew these faulty understandings of how God causes evolutionary change within our world, thus providing an alternative to the Intelligent Design movement’s approach to (...) creation.. Ratzinger has a deep respect for the integrity of nature, rejecting the notion that God is a “craftsman” who “tinkers” with the world. According to Ratzinger, evolutionary change occurs “precisely in the processes of a living being” even as human beings are “not the mere product of development.” Finally, the emeritus pontiff insists that creation is an ever-present act that unfolds “in the manner in which thought is creative,” a dynamic that he describes variously as a story, drama, melody, and symphony. Wedding these and other key insights, this article submits that Ratzinger’s thought on evolution should lead us to conceive of creation less along the lines of an intelligently designed machine and more as a masterpiece story that is continually being told as its plot unfolds naturally over the course of time. (shrink)

When the journal Minerva was founded in 1962, science and higher educational issues were high on the agenda, lending impetus to the interdisciplinary field of “Science Studies” qua “Science Policy Studies.” As government expenditures for promoting various branches of science increased dramatically on both sides of the East-West Cold War divide, some common issues regarding research management also emerged and with it an interest in closer academic interaction in the areas of history and policy of (...) class='Hi'>science. Through a close reading of many early issues of Minerva but also of its later competitor journal Science Studies (now called Social Studies of Science) the paper traces the initial optimism of an academically based Science Studies dialogue across the Cold War divide and the creation in 1971 of the International Commission for Science Policy Studies as a bridging forum, one that Minerva strangely chose to ignore. In this light, attention is drawn to aspects of the often forgotten history of Science Studies in the former Soviet Union and the Eastern European block. Reviewed also are several early discussions that are still relevant today: e.g., regarding differing concepts of Big Science, science and democracy, autonomy in higher education and what conditions are necessary to sustain academic freedom and scientific integrity (some of Edward Shils’ primary concerns). Finally, it is noted how the question of quantitative methods to measure scientific productivity lay at the heart of a “Science of Science” movement of the 1960s has re-emerged in a new form integral to the notion of a “Science of Science Policy.”. (shrink)

Many influential philosophers have argued that in pgh. 608 of Zettel (hereafter Z608) Wittgenstein appears to say that language and thought might emerge out of physical chaos at the neural “centre”. By contrast, the present paper argues that these scholars are, in a fashion that would be readily understandable by Thomas Kuhn, assuming the very Anglo-American paradigm that Wittgenstein is actually critiquing in Z608 when they interpret his remarks. In opposition to this, the paper argues that Wittgenstein’s notion of emergence, (...) chaos and the center in Z608 (and elsewhere in his works) is better understood in terms of the universal cross-cultural archetypes, emphasized by Carl Jung and Mircea Eliade of emergence, chaos and the center found in numerous religious and cosmological traditions around the world. The paper also points out that Wittgenstein also uses many other cross-cultural symbols also emphasized by Jung and Eliade, including the Shadow (which, in Jung, represents the opposite of the ego), the Trickster (or Devil), the mandala, the labyrinth, the microcosm, the crystal, the abyss, darkness, circular movement and creation (genesis), in order to illustrate his view. Perhaps the most fascinating of these concerns the archetypal cosmological symbolism in Wittgenstein’s self-reported but largely ignored“ alchemical” dream, including the Indian mandala symbolism in that dream. The paper concludes that Wittgenstein that is not restricted by Anglo-American “analytical” philosophy or the associated “scientistic” paradigms but is informed by a way of looking at things implicit in a fundamental archetypal symbolism found in very different cosmologies, religion and cultures all around the globe. (shrink)

In Consecrating Science: Wonder, Knowledge, and the Natural World, Lisa H. Sideris makes a compelling case that a new cosmology movement advocates for a new, universal, creation story grounded in the sciences. She fears the new story reinforces elite power structures and anthropocentrism and thus environmental degradation. Alternatively, she promotes genuine wonder which occurs in experiences of the natural world. As Sideris focuses on the likely logical outcome of the assumptions and arguments of the new cosmologies, she (...) does not investigate whether and how people react to these new myths. I suggest that methods of documentary studies, applied to popular book reviews on Amazon and Goodreads, shed light on the ramifications of the new cosmologies among the general public. While many reviewers exhibit attitudes and behaviors that would concern Sideris, responses are far from univocal. Using this case as a guide, I suggest that attention to the experience of laypeople could contribute productively to religion and science research in general. (shrink)

In discussing the origins of the antievolution movement in American high schools within the framework of science and religion, much is overlooked about the influence of educational trends in shaping this phenomenon. This was especially true in the years before the 1925 Scopes trial, the beginnings of the school antievolution movement. There was no sudden realization in the 1920's – sixty years after the "Origin of Species" was published – that Darwinism conflicted with the Bible, but until (...) evolution was being taught in the high schools, there was no impetus to outlaw it. The creation of "civic biology" curricula in the late 1910's and early 20's, spearheaded by a close-knit community of textbook authors, brought evolution into the high school classroom as part of a complete reshaping of "biology" as a school subject. It also incorporated progressive ideologies about the purposes of compulsory public education in shaping society, and civic biology was fundamentally focused on the applications of the life sciences to human life. Antievolution legislation was part of a broader response to the ideologies of the new biology field, and was a reaction not only to the content of the new subject, but to the increasingly centralized control and regulation of education. Viewing the early school antievolution movement through the science-religion conflict is an artifact of the Scopes trial's re-creation of its origins. What largely caused support for the school antievolution movement in the South and particularly Tennessee were concerns over public education, which biology came to epitomize. (shrink)

The reversal in the relation of time and movement which Deleuze describes in his Cinema books does not only concern a change in the filmic arts. Deleuze associates it with a wider Copernican turn in science, philosophy, art and indeed modern experience as a whole. Experience no longer consists of an idea plus the time it takes to realize it. Instead, time is implicated in the determination, literally the creation of the terminus of any movement of (...) experience. Deleuze describes this open movement structure as determinable virtuality. Because it is determinable, experience as a whole is neither actual nor actualisable. The whole is virtual. I use the phrase determinable virtuality as a kind of organizational device with which to organise a study of the reversal of time and movement in Deleuze's work. I study the concept of determinability as it appears in Deleuze's reading of the relation of time and movement in Kant's description of the whole of possible experience, or the Transcendental Ideas. In a following section I take up the idea of virtuality which I trace back to Duns Scotus who uses the idea of the virtual to distinguish between univocal and equivocal movements, forms of movement which, I argue, anticipate the kinostructures and chronogeneses, or movement and time-images which Deleuze places at the center of his work on cinema. (shrink)

Dance is an art of human movements, and it is an art form that takes refined, organized and artistically processed human movements as the main means of expression, expresses people's thoughts and feelings, and reflects social life. Humans not only transfer knowledge by means of dance, but also communicate with heaven and earth and soothe the soul by means of dance. Dance drama, an art form, is more and more popular among the masses. With the development of the times and (...) science and technology, dance drama forms are constantly bringing forth the new. On the basis of the ancient stage art, it glows with new splendor and enriches the treasure house of human spirit and culture. During the development of history and culture, both religious culture and dance culture have tenacious vitality, and are constantly developing and evolving. The two are inextricably linked, interacting and influencing each other. This paper studies the relationship between dance and religion, trying to learn from historical experience, analyze the relationship between dance and religion, solve the problems in the creation of dance drama, provide theoretical basis for the development of dance drama, and promote the vigorous development of dance art. (shrink)

This paper raises fundamental questions about the claims of art historian David Freedberg and neuroscientist Vittorio Gallese in their article "Motion, Emotion and Empathy in Esthetic Experience." It does so from several perspectives, all of them rooted in the dynamic realities of movement. It shows on the basis of neuroscientific research how connectivity and pruning are of unmistakable import in the interneuronal dynamic patternings in the human brain from birth onward. In effect, it shows that mirror neurons are contingent (...) on morphology and corporeal-kinetic tactile-kinesthetic experience. Accordingly, it poses and answers the overlooked but seminally important question of how mirror neurons come to be. The original neuromuscular research of Parma neuroscientists and the findings of Marc Jeannerod concerning kinesthesia support the answer that the "underpinnings" of visual art appreciation are themselves underpinned. An abbreviated phenomenological analysis of movement and its implications regarding the fact that the making of all art is quintessentially contingent on movement, hence a dynamic enterprise, further bolster the given answer as does a brief review of an empirical phenomenological analysis of the natural dynamic congruency of emotions and movement. In the end, the paper shows that movement and life are of a piece in the creation and appreciation of art as in everyday life. (shrink)

Between the second half of the 2000s and the first half of the 2010s, the prospect of shale gas extraction in Europe at first prompted fervent political support, then met with local and national opposition, and was finally rendered moot by a global collapse in the oil price. In the Europe-wide protests against shale gas and the main technique employed to extract it, hydraulic fracturing, counter-expertise played a crucial role. This kind of expertise is one of the main elements of (...) “energy citizenship,” a concept recently developed in the field of energy humanities which describes the empowerment of citizens in decision-making processes related to energy issues. This paper provides a socio-historical analysis of the co-production of counter-expertise and energy citizenship in the two European countries endowed with the largest shale gas reserves: Poland and France. In my analysis, concerns over the disruption of the food-water-energy nexus due to possible pollution emerge as particularly important. I argue that the exchange of information between activist groups and NGOs, as well as between activist groups from distant European locations, allowed for the creation of a genuinely transnational and science-based anti-fracking movement.ZuammenfassungZwischen der zweiten Hälfte der 2000er und der ersten Hälfte der 2010er Jahre, löste die Aussicht auf die Förderung von Schiefergas in Europa zuerst weitreichende politische Begeisterung aus, dann Gegeninitiativen auf der lokalen und nationalen Ebene, und schließlich Resignation, als ein weltweiter Einbruch des Ölpreises die Gewinnannahmen des Unternehmens in Frage stellte. Im Erfolg der europäischen Proteste gegen Schiefergas und „hydraulic fracturing“ war die Rolle der Gegenexpertise entscheidend. Diese Art von Expertise ist eines der Hauptelemente von „energy citizenship“, ein Konzept das kürzlich im Bereich der „Energy Humanities“ entwickelt wurde und für die Befähigung des Bürgers zur Entscheidungsfindung in energiebezogenen Fragen steht. Die vorliegende Studie analysiert die kooperative Produktion von Gegenexpertise und die Schaffung von „energy citizenship“ in den beiden europäischen Ländern, die mutmaßlich über die größten Schiefergasvorkommen verfügen: Polen und Frankreich. Aus dieser Analyse geht hervor, dass Besorgnis über die Störung des Nahrungsmittel-Wasser-Energie-Nexus aufgrund einer möglichen Verschmutzung durch industrielle Aktivitäten im Vordergrund stand. Der Informationsaustausch zwischen Aktivistengruppen und spezialisierten NGOs sowie zwischen Aktivistengruppen in verschiedenen europäischen Orten ermöglichte die Entstehung einer transnationalen, wissenschaftsbasierten Anti-Fracking-Bewegung. (shrink)

In "Cultural Variation and Cultural Creation in Chinese Biographical Writing and Carnegie's Work" Weidong Zhou discusses the impact on Chinese biographical writing via biographies written in Chinese and translated from English about Andrew Carnegie's life and work. The interpretation of Carnegie's philanthropy includes Chinese traditional cultural concepts such as "righteousness," "cause and effect," and "self-cultivation" which constitute the unique understanding of "philanthropy" in modern Chinese literature. From a "moral model" to "successful person" the overall images following Carnegie can reflect (...) the processes of acceptance of Western "individualism." Zhu argues that Carnegie's example was shaped as a "Youth Idol" in the May Fourth Movement from which the unique route of modernization in Chinese literature and culture can be traced. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Deleuze, Bergson, Merleau-Ponty: The Logics and Pragmatics of Creation, Affective Life, and Perception by Dorothea E. OlkowskiElodie BoublilOLKOWSKI, Dorothea E. Deleuze, Bergson, Merleau-Ponty: The Logics and Pragmatics of Creation, Affective Life, and Perception. Bloomington: Indiana University Press, 2021. 180 pp. Cloth, $63.00; paper, $28.00[End Page 152]Dorothea E. Olkowski's latest book carefully examines "the relationship between the creation of ideas and their actualization in relation to (...) semiology, logic and the cosmos in the philosophies of Deleuze, Bergson, and Merleau-Ponty." However, this work is neither an extensive or historical account of Deleuze's, Bergson's, and Merleau-Ponty's philosophies, nor an attempt to homogenize their views on space, time, or perception. Instead, it subtly compares their differences and similarities to move beyond metaphysical dualism, and fruitfully rethinks the relations between formal logic and ontology. Indeed, the author aims to draw a "theory of form," based on the logic of sensation, ultimately designed "to take the place of a theory of the real, of material physical forces."Chapter 1 retraces the history of postmodernist claims and their philosophical legacy. Olkowski explains that postmodernism is not first and foremost a political worldview or a debunking of objectivity in natural sciences. Instead, "it begins as a formal system or series of formal systems." Olkowski explores how Deleuze draws on the knowledge of modern science and logic (Bolzano, Cavaillès) and on Bergson's critical analysis of it to elaborate his logic of sensation. Bergson's conception of affectivity impacted Deleuze's and Merleau-Ponty's theories of corporeality and sensation, and their understanding of perception. Bergson's concept of "body image" specifically influenced Deleuze's elaboration of the concept of "movement-image," through which he tried to overcome the dichotomy set up by mind–body dualism.Chapter 2 focuses on Deleuze and Guattari's critique of logic as an attempt to find a third way between idealism and materialism and to overcome the disconnection between formal logic and lived experience. It reviews their critique of Euclidean geometry, their objections to formal logic as set out by Frege and Russell, and their assessment of phenomenology in order to eventually show Deleuze's affinity with Peirce's pragmatist approach. Then, the author aims to determine if Deleuze's attempt could be compatible with the phenomenology of Merleau-Ponty and Bergson's understanding of quality and multiplicity.Chapter 3 focuses on Bergson. Recalling the controversy with Russell, Einstein, and Langevin, Olkowski refers to Merleau-Ponty's defense of Bergson's concept of intuition to prove the accuracy of his reflection on creative forces and pure duration. As she explains, "[T]he intent here is to clarify the relations between these different aspects of Bergson's thought and draw out how Deleuze makes use of these structures derived from Bergson's philosophy." This leads her to explore, more specifically, how Deleuze reworks the concept of "multiplicity" along the lines of Bergson's analysis of the élan vital.In chapter 4 the author focuses on Deleuze's work on cinema to deepen the philosophical correlation between Bergson's concepts, Deleuze's analysis, and the influences of Merleau-Ponty and Pierce. It aims to rethink the relation between movement and time, notably through the notions of time-image and movement-image. Olkowski notably showcases Deleuze's concept of destiny, "which is the pure power of time that [End Page 153] overflows all possible reaction. It defeats, immobilizes, and petrifies figures in their own affectivity; it sends them to their fate, destroying conventions along the way. For Merleau-Ponty, as for Bergson, acts are still possible in a network of temporal relations so that motion and time are destiny but differently than for Deleuze."Chapter 5 addresses the Phenomenology of Perception and how Merleau-Ponty provides an opportunity to rethink perception. In this book and his Courses on Nature, Merleau-Ponty "does not dismiss either position—that of objective science or that of the natural attitude—but argues that although each contains an element of truth, it is perception and only perception that allows us to bridge the gap between physical reality and behavior/comportment." Deleuze will depart from... (shrink)

An exploration of the connections between law, science, and truth, this paper argues that ‘truth’ is an evolving, rather than fixed, concept. It is a human creation, and the processes, or standards, by which it has been evaluated have changed over time. Currently knowledge production is anchored in the natural sciences but reproduced and validated by philosophical rationalisation. There are two problems with this technique of knowledge verification (or ‘veridiction’). First, the natural sciences are not, in fact, practiced (...) according to their ideal forms; and second, the Queen of Sciences, physics, underwent two fundamental paradigm shifts in the early nineteenth century. General relativity and quantum theory entered the scene, sending ripples throughout science, and the social sciences. These changes too have been slowly absorbed by philosophy, giving rise in part to the postmodernist and deconstructivist movements. I chart this gradual evolution of truth and knowledge production in physics and in law and analyse the resistance it has faced from both classical law and classical physics. Finally I argue that this resistance could be overcome, if legal theory, and especially legal positivism, would embrace a more accurate and up-to-date understanding of the science it purports to examine and emulate. (shrink)

Open science has recently gained traction as establishment institutions have come on-side and thrown their weight behind the movement and initiatives aimed at creation of information commons. At the same time, the movement's traditional insistence on unrestricted dissemination and reuse of all information of scientific value has been challenged by the movement to strengthen protection of personal data. This article assesses tensions between open science and data protection, with a focus on the GDPR.

This chapter contains sections titled: Introduction: The Design Argument The Design Argument in Antiquity Christian Authors Hume's Onslaught William Paley's Natural Theology The Bridgewater Treatises Intelligent Design: A Political Movement Eyes to See No “There” There Blood and Tears Gambling to Non‐existence Natural Selection Natural Selection and Design Postscript: Counterpoint Notes References.

Posterior a Hiroshima y Nagasaki se hizo visible hacia dónde conducirían la obtención y uso de conocimientos y creación de artefactos que no se correspondieran a las metas de subsistencia y mejoramiento humanos, emergieron movimientos y estudios relacionados con los impactos sociales de la ciencia y la tecnología. Surgió en ese contexto el campo denominado Ciencia- Tecnología- Sociedad (CTS), centrado en las complejas interrelaciones que la ciencia y la tecnología y la sociedad. El presente texto tiene el objetivo de profundizar (...) en el trabajo de fundamentación teórica a partir del reconocimiento de algunas ideas como: la relación de los seres humanos con sus entornos es socio- tecno- cognitiva, la interacción conocimiento- sociedad es contradictoria, y es preciso reconocer la complejidad del conocimiento CTS. Por último, una nueva propuesta, en las circunstancias actuales un acrónimo más abarcador que el de CTS puede ser SOCITEI (So: sociedad, CI: conocimiento, Te: tecnología, In: innovación). After Hiroshima and Nagasaki the destiny of the obtaining and use of knowledge as well as the creation of artifacts that were not according to the goals of human subsistence and improvement became visible, movements and studies related to the social impacts of science and technology emerged. The field called science - technology - society (CTS) (Spanish acronym) arose in that context, focused on the complex interrelationships in science technology and society. This text aims to deepen the work of theoretical foundation in recognition of some ideas like: the relationship of human beings with their environments is socio-techno - cognitive, interaction knowledge - society is contradictory, and we must recognize the complexity of knowledge CTS. Finally, in the new circumstances a new proposal a more encompassing acronym than the CTS can be SOCITEI (SO: society, CI: knowledge, TE: technology, IN: innovation) (Spanish acronyms). (shrink)

The problem of freedom is researched in various ways by the religions of the world, by the scientific theories and by the mythological consciousness of people. The article pays great attention to the myth and its influence on the realm of freedom and on our interpretation of reality. The author understands a myth as a certain free fiction of a man in order to interpret reality in his own way and sometimes to create his own artistic image of the world. (...) Often the myth stimulates the ability of the imagination and thus it participates in the creation and existence of personality. It is argued that the traces of the myth can be found in most ways of orientation in the material and ideal worlds as well as in the systems of human interests and relationships, in the original human desire of freedom. The problem of freedom is central to all human history. Freedom of conscience, freedom of speech, political freedoms - one can name a large number of different freedoms, but the freedom of creativity should be considered as principal freedom. It should be noted also the freedom of thought, which can lead a cognizing person beyond the worlds of substances and energies, to the place where the Eternal Creator should abide. As the world religions believe, we inherit the capacity for creativity and self-knowledge from God. The very same creative freedom exists historically. Freedom of thought is accompanied by spontaneity and mystery. Spontaneity of consciousness and freedom of creativity create a system of meanings that determine the course of human history, while history is perceived by an observer as a completely unique, cognizable phenomenon. (shrink)

Key Words creation science, evolution education s Abstract Creationism, the rejection of evolution in favor of supernatural design, comes in many varieties besides the common young-earth Genesis version. Creationist attacks on science education have been evolving in the last few years through the alliance of different varieties. Instead of calls to teach “creation science,” one now finds lobbying for “intelligent design” (ID). Guided by the Discovery Institute’s “Wedge strategy,” the ID movement aims to overturn (...) evolution and what it sees as a pernicious materialist worldview and to renew a theistic foundation to Western culture, in which human beings are recognized as being created in the image of God. Common ID arguments involving scientific naturalism, “irreducible complexity,” “complex specified information,” and “icons of evolution,” have been thoroughly examined and refuted. Nevertheless, from Kansas to Ohio to the U.S. Congress, ID continues lobbying to teach the controversy, and scientists need to be ready to defend good evolution education. (shrink)

Using as case studies the initiatives developed by two museum curators, the Belgian bibliographer Paul Otlet (1868–1944) and the Austrian social scientist Otto Neurath (1882–1945), and their subsequent collaboration with an extended network of scientists, philanthropists, artists, and social activists, this article provides a portrait of the general movement toward the creation of a new form of museum: the “museum of the future,” as Neurath labeled it. This museum would be able to enlighten the people by showing the (...) nature of modern industrial civilization. The promoters of the “museum of the future” intended to reform museum practices by organizing exhibitions of social facts, but also by integrating several dimensions – architecture, commerce, entertainment, pedagogy, and science and technology – to create a holistic frame to address their audience. However, the effortlessly circulating museum Neurath and Otlet envisioned stood in sharp contrast to the many, often immaterial, boundaries they encountered in their attempt to implement their vision. Ever-growing nationalism, the professionalization of social science, and the increasing commercialization of scientific vulgarization are some of the factors that help explain their failure. (shrink)

What is Philosophy?, the third volume of the series of books that Gilles Deleuze and Félix Guattari wrote on “Capitalism and Schizophrenia”, presents us with a rather unusual idea, but one that is essential to understanding contemporary philosophical thought: the notion that philosophy is a concept-creating machine that must be connected to other machines, such as the arts and the sciences. Philosophy, science, and art are three distinct forms of reliable thinking. Given the heterogeneity of thinking, in what sense (...) can the three distinct forms of thinking answer the problem of creating concepts and using the machine as an allegory? This essay aims to analyse philosophy’s role in its relation to artistic and scientific practices by examining Dziga Vertov’s Man with a Moving Camera. It will focus on three guiding principles: creation is not exclusive to art and the sensible; philosophy mediates the relation between art and the sciences; and this mediation aims to keep their discord alive, not to solve it. (shrink)

BioArt has become an umbrella term for art practices utilizing biotechnology and living matter. Pioneering BioArt creations erode the boundaries between science and art, provoking a series of social and cultural debates. BioArtists deprive the pragmatic function of biotechnology and alter life itself. However, BioArt is an art practice strongly tied to the development of biotechnologies and evolving bio-media. The increasing familiarity of biotechnologies enables the creative works to evolve as technologies evolve. This article aims to contextualize the issues (...) presented in the artworks by two artists based in Taiwan, Kuang-Yi Ku and Pei-Ying Lin, who adapted emerging biotechnologies for their artworks. This article attempts to use affect theory as a lens to observe post-biological artworks and suggests that the Autonomy of Affect, the postmodern power after ideology, should play a significant role in their works. (shrink)

This collection of essays, first published two decades ago, presents central feminist critiques and analyses of natural and social sciences and their philosophies. Unfortunately, in spite of the brilliant body of research and scholarship in these fields in subsequent decades, the insights of these essays remain as timely now as they were then: philosophy and the sciences still presume kinds of social innocence to which they are not entitled. The essays focus on Plato, Aristotle, Descartes, Hobbes, Rousseau, and Marx; on (...) the 'adversary method' model of philosophic reasoning; on principles of individuation on philosophical ontology and philosophy of language; on individualistic assumptions in psychology; functionalism in sociological and biological theory; evolutionary theory; the methodology of political science; and conceptions of objective inquiry in the sciences. In taking insights of both Liberal and Marxian women's movements into the purportedly most abstract and value-free areas of Western thought, these essays chart sexist and androcentric assumptions, claims and practices in the cognitive, technical cores of Western sciences and their philosophies. They begin to identify the distinctive aspects of women's experiences and locations in male-supremacist social structures which can provide resources needed for the creation of post-androcentric thinking in research, scholarship, and public policy. Such uses of feminist insights remain controversial today, and even among some feminists. These authors were all junior researchers and scholars two decades ago; today many are among the most distinguished senior scholars in their fields. Their work here provides a splendid opportunity for upper-level undergraduate and graduate students in philosophy and the social sciences to explore some of the most intriguing and controversial challenges to disciplinary projects and to public policy today. (shrink)

This paper examines how the production, content and reception of the film Antony van Leeuwenhoek (1924) influenced the historical framing of science. The film features microcinematography by the pioneering Dutch filmmaker Jan Cornelis Mol (1891–1954), and was part of a dynamic process of commemorating seventeenth-century microscopy and bacteriology through an early instance of visual re-creation – a new way of using scientific material heritage, and of enabling audiences to supposedly observe the world of microscopic organisms in just the (...) same way as the Dutch scientist Antoni van Leeuwenhoek (1632–1723) had observed them for himself. Knowledge transfer concerning material culture, around both historical and contemporary instruments, was the determining factor in the microcinematography practices applied in this film. The production and experience of the film also mirrored the seventeenth-century process of experimentation, playing with optics, and visualizing an entirely new and unknown world. Unlike other biographical science films of the 1920s, Antony van Leeuwenhoek featured abstract depictions of time and movement that allowed the audience to connect the history of science with microcinematography, contributing to the memory of Van Leeuwenhoek's work as the origins of bacteriology in the process. (shrink)

Artists have always been known for pushing boundaries, or even refusing to accept that those boundaries exist in the first place. Contemporary academic structures and disciplinary boundaries evolved out of enlightenment thinking but were born as much from university administration systems, finance departments and evaluation systems that have no place in genuine knowledge creation or in our understanding of the world. Biology has inspired artists for centuries, but it is only in the last few decades that a new bioart (...) movement has emerged and artists have actively begun to collaborate with scientists to create works that use human and animal tissues, bacteria and living organisms as materials. In order to progress this important emerging field, we need to develop new frameworks that can help artists, cultural institutions, scientists and science institutions engage with and understand the various issues at play when making and exhibiting such work. The aim is to ultimately open up new avenues for participation and engagement from all elements of society. (shrink)

Taken from a published report on wound ballistics research during World War II, Figure 1 depicts the abdomen of a cat that has been shaved, anesthetized, marked with a grid, and shot. The individual squares are frames, the caption says, “ from a high speed motion picture of a cat’s abdomen, showing the volume changes and movements caused by a 6/32nd inch steel sphere.” We can recognize in this image the conventions of scientific inscription. The technologies are sophisticated, quantitative, impressive. (...) The image speaks for itself. Or does it? What exactly is happening when an anesthetized cat with a shaved abdomen painted with a grid gets shot, in a laboratory, and when that event is hyper-documented in high speed photographs, and deployed in a range of texts as evidence? And what do these human creations — these highly quantified experimental wounds — tell us about the culture and practice of twentieth-century science? (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:What Did the Romans Know? An Inquiry into Science and Worldmaking by Daryn LehouxJohn M. OksanishDaryn Lehoux. What Did the Romans Know? An Inquiry into Science and Worldmaking. Chicago, Ill.: University of Chicago Press, 2012. xii + 275 pp. 10 black-and-white figs., 2 tables. Cloth, $45.“Have we ever been modern?” Thus author Daryn Lehoux expresses one of the fundamental questions underlying the book under review, which (...) seeks to present a historicizing account of the various lenses through which elite Romans in the late Republic and early Empire understood and, importantly, expressed their understanding of our world. I say “our” world because, as Lehoux makes clear from the beginning of this fascinating, if sometimes challenging, monograph, continuity with our scientific forebears is as fundamental a key to accessing their ambitions, limits, and scope, as are our divergences from them. In this sense, What Did the Romans Know? provides a kind of study in the reception of Roman sciences, whose plurality, interdependence, and context-specific viability are emphasized throughout. For although (1) physical realities have per se not [End Page 343] changed since antiquity, and (2) how we regard and describe them has, Lehoux insinuates that our own laws of nature remain limited by specific ontological and rhetorical constraints—“blind spots”—that render our modern science in some ways comparable with the sciences that operated in antiquity. By first emphasizing various contexts (epistemological, ontological, etc.) and showing readers how the ancient sciences operated within them, Lehoux effectively shows us that ancient sciences did indeed work, even astrology. However, Lehoux ultimately reveals himself as a scientific realist: the contextual viability of the ancient sciences notwithstanding, he does not believe in a Lucretian “swerve” but in atoms, electrons, and other phenomena that he has never seen directly. That he waits until the ninth chapter (200) for this admission to materialize fully is surely purposeful, but it can sometimes make for disorienting reading. Equally disorienting is the book’s tendency to present ancient scientific terms with little or no explanation (e.g., equant, 68; synodic anomaly, 69), while terms whose specific valences will be well-known to many readers of this journal (e.g., religio, 26; pietas, 27) are glossed, sometimes simplistically. Despite this and a few other caveats, however, Lehoux has broadly succeeded at a very difficult task, i.e., presenting ancient science in a manner that is accessible and interesting to Classicists of various stripes, while simultaneously delivering classical texts to historians of science through an essentially new historicist lens.The first three chapters provide examples from and discussions of selected texts that show the Romans making links between nature and law in science, religion (especially divination), and in legal theories. We quickly learn that Lehoux’s is not a book about Romans who merely applied Greek theories in the interest of technology or about the ways in which slave-power made an ancient industrial revolution unnecessary at Rome (the so-called blocage question, discussed by Serafina Cuomo in Technology and Culture in Greek and Roman Antiquity [Cambridge, 2007]). Rather, this is a book about science as a reflection of, and participant in, the creation of Roman ideology and society. Any good discussion of Roman-ness at the end of the Republic inevitably involves a good deal of Cicero, who conveniently, and thus perhaps problematically, provides ample discussion of the kinds of topics in which Lehoux is interested, especially divination. Cicero’s apparently contradictory positions on the practice (Leg. 2.32 and Div. 2.74) are noted, as is the movement in the past thirty years away from the “naive” reading of De Divinatione as a “vigorous rationalistic protest” against a national superstition. Divination, for Lehoux’s Cicero, is neither an intellectual offense nor a politically expedient fiction; rather, it is a thoroughly Roman way of both seeing the world and doing business. Some of what is found here will not be new to classicists, and the chapter overall seems less interested in breaking new ground than in establishing, in deliberate fashion, the book’s foundational interest in seeing nature, law, and religion as legitimately connected. Divination and other phenomena reflect a Roman interest in a kind... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Found in Translation: “New People” in Twentieth-Century Chinese Science Fiction by Jing JiangYingying HuangJing Jiang. Found in Translation: “New People” in Twentieth-Century Chinese Science Fiction. New York: Columbia University Press, 2021. 144 pp. Paperback, ISBN 9780924304941.One of the Association of Asian Studies’ Asia Shorts series, Jing Jiang’s monograph is a delightful 130-page read including notes and a bibliography. It contributes new and cross-cultural perspectives to the (...) Chinese SF scholarship that has recently been invigorated by a plethora of translations into English, animated discussions at conference panels and themed lectures, and book-length studies such as Nathaniel Isaacson’s Celestial Empire: The Emergence of Chinese Science Fiction (2017), which focuses on China’s early twentieth century, and Hua Li’s Chinese Science Fiction during the Post-Mao Cultural Thaw (2021), which deals with works published between 1978 and 1981, to name just a couple. Jiang’s book covers both periods and the time in between with a purpose to investigate “how Chinese science fiction participates and intervenes in Chinese conceptualizations of the modern at critical junctures over the last century” (1), which Jiang achieves through comparative readings of texts brought into dialogue via translation. A shared theme of the texts studied is, as the book title suggests, the creation of a “new people,” either through edification or high-tech means such as bioengineering. Therefore, the interventions by science fiction that this study is concerned with are chiefly in debates about modern citizenry, subjectivity, and humanity in China’s twentieth century, when science fiction enjoyed its first two “booms.”This book has an introduction, four chapters, and an epilogue. The introduction offers a brief history of Chinese science fiction and announces the author’s intention to “situate Chinese science fiction within a dynamic model of world literature” (2). Jiang makes two crucial points: first, Chinese science fiction is a product of translation and transculturation, which [End Page 591] requires an intertextual and comparative study; second, contrary to its designation as a popular genre in the West, science fiction in China has been a form of elite literature and even a part of statist thinking. While this introduction may seem a bit long for a short book with “conciseness” as one of its marketing guidelines—the account of Lu Xun’s early life and turn to literature, for example, may be a little too elaborate for its purpose (10–12)—it lays a solid foundation for discussions about science fiction’s translingual dimensions and role in China’s nation-building discourse to develop through the chapters.The expansive first chapter, “Medicine for the Mind, Panacea for the Nation: How Did the Stories of Science and Fiction Become One?” is yet another historical survey, occasionally repeating points from the introduction, but this time of the background, genesis, and early growth of science fiction in China from the mid-nineteenth to the early twentieth century (i.e., the late Qing dynasty [1644–1911] and early Republican era [1912–49]). Jiang gives a detailed account of occurrences deemed important to the rise and confluence of fiction and science within China’s nation-building discourse, including literati intellectuals’ promotion of “new fiction” and the dissemination of scientific knowledge, highlighting the roles played by central figures like Liang Qichao, Lu Xun, and John Fryer. Jiang makes the illuminating observation that Fryer’s stipulation of a “new novel” for a fiction contest he organized in Shanghai in 1895 foreshadowed China’s literary realism and the vernacular movement (30), and her remarks about translation, Chinese science fiction’s inherent hybridity, and its mission to cure the nation well echo the book’s central argument about the genre’s interventions.A shorter chapter follows, entitled “Scientifically Formed or Reformed: Bioengineering and Other Fantasies about a New Species of National Subjects,” which examines early science fiction stories about manufacturing humanity and argues that these texts “gave rise to a literary vision that believed literally in the malleability or programmability of the soul” (39). During the first boom of Chinese science fiction in the 1900s, translations of and sequels to Western stories showcase the debate about science’s power of shaping the soul... (shrink)

This is a steamer trunk of a book! Its chapters, like so many tightly stuffed drawers with their numerous partitions, are full of all the apparel needed for a five‐hundred‐plus‐page voyage across the thirty years of Victorian history that surround the Vestiges of the Natural History of Creation and its anonymous author, Robert Chambers. We find storage places for observations on the new steam presses, on the reading public—both high‐ and lowbrow—on phrenology, on Scottish science and the Free (...) Church movement, on science in the great urban centers of England, on Von Baerian development, on a multitude of reviews, letters, personal journals, and salon gossip, on the contrasting styles of classical gentlemanly and the nouveau commercial science of industrial England, on the career of Chambers and many of his associates, and much more. A list of such static cubbyholes, however, fails to do justice to the unconventional and careful packing by the book's author, James Secord. More revealing is the hanging compartment of this steamer trunk, which meticulously folds the larger vestments against the pullout drawers. Here one finds the central themes that should concern all historians of science. These pertain to the varied recipients as well as the producers of science, publishers and illustrators as well as the technologies of elite and mass production, the nature of professional and amateur science at midcentury, and the clash between various ideologies, theologies, and politics as they bear on all of the above.With this extraordinary marshaling of historical material, backed by years of intensive sleuthing and broad reading, Secord dares to provide a near‐total history of and revision of a traditional minor affair in the history of science. He states one of his important goals at the outset in the form of a challenge: “What once made sense as the ‘Darwinian Revolution’ must be cast as an episode in the industrialization of communication and transformation of reading audiences” . Although the book is not focused on this challenge till the end of the last chapter and epilogue, Secord's endgame becomes clear when he revisits the question about the contrasting style, production, and reception of the Vestiges and the Origin of Species. He finishes with the provocative conclusion that “the Origin was important in resolving a crisis, not in creating one” . By this Secord means that the Origin forged a new alignment of professional and entrepreneurial biologists and the reading public around a new, often misunderstood developmental hypothesis; so “Darwinism” becomes “the science of the future” . It strikes me that the author's conclusions belie his initial claim. Without question Chambers and the Vestiges must now rank as major indicators and an episode of great importance in early Victorian culture. To me, however, Darwin and the Origin in its past, present, and future contexts—pace modern contextualists—still make sense as a broader, contentious episode known as “the Darwinian Revolution.”I profited particularly from Secord's discussions about the revisions and the target audiences of various editions of the Vestiges, his evidence that many professional scientists grew confident of Chambers's alleged authorship, and his demonstration that the evangelical Free Church in Scotland enabled a shift by the 1840s of the historical sciences from Edinburgh to the English urban centers. “From the Chamberses' perspective, the ‘Athens of the North’ had degenerated into a provincial backwater ruled by Calvinist fanatics” . My understanding of the history of science has been permanently altered by Secord's extended attention to communications and the reading public. I would have liked more reflection on the contemporaneous scientific and cultural scene in Germany and a deeper discussion of Herbert Spencer, but you cannot cram everything into a steamer trunk. This book is exhaustively illustrated, broadly researched, and well written. It contains a fine bibliography and index. I strongly recommend Victorian Sensation to anyone concerned about the twin processes of representation and communication in the history of science and for all interested in Victorian cultural history. (shrink)

The paper posits a relationship between the sensory modality of touch, including a sense of active movement, and early modern knowledge of active powers in nature. It seeks to appreciate the strength and appeal of knowledge built on the active-passive distinction, including that which was retrospectively labeled animist. Using statements by Descartes, Hobbes, Locke, Spinoza, Leibniz, and Stahl, rather than detailed new readings of texts, the paper asks whether scholars drew on phenomenal, or conscious, awareness of activity as effort (...) encountering resistance when they reasoned about activity in the world. How were there relations and analogies between descriptions of psyche’s relation to body, of the relation of living forces to matter, of relations among material objects, of God’s relationship to His creation, and of relations involving causal agency generally? It is possible to understand what were later called animistic theories as belonging to the mainstream of the new natural philosophy, not to a residue of unscientific argument. Early modern theories of active and vital powers cannot be dismissed because they were based, in error, on mere analogy to human action. Rather, they had a central position in reasoning grounded in phenomenal awareness of action-resistance when a person is “in touch.”. (shrink)

We want to consider anew the question, which is recurrent along the history of philosophy, of the relationship between rationality and mathematics, by inquiring to which extent the structuration of rationality, which ensures the unity of its function under a variety of forms, could be considered as homeomorphic with that of mathematical thought, taken in its movement and made concrete in its theories. This idea, which is as old as philosophy itself, although it has not been dominant, has still (...) been present to some degree in the thought of modern science, in Descartes as well as in Kant, Poincaré or Einstein. It has been often harshly questioned, notably in the contemporaneous period, due to the failure of the logistic programme, as well as to the variety of “empirical” knowledges, and, in a general way, to the character of knowledges that show them as transitory, evolutive and mind-built. However, the analysis of scientific thought through its inventive and creative processes leads to characterize this thought as a type of rational form whose configurations can be detailed rather precisely. In this work we shall propose, first, a quick sketch of some philosophical requirements for such a research programme, among which the need for an harmonization, and even a conciliation, between the notions of rational, of intuitive grasp and of creative thought. Then we shall examine some processes of creative scientific thought bearing on the knowledge and the understanding of the world, distinct from mathematics although keeping tight relations with them. Contemporary physical theories are privileged witnesses in this respect, for in them the rational thought of phenomena makes an intrinsic use of mathematical thought, which contributes to the structuration of the formers and to the expression of their concepts. The General Theory of Relativity and the Quantum Theory are exemplar to this, as they directly reveal what can be called the “drag of physical thought par the mathematical form”, which makes possible to overcome the limitations of the physical knowledge previously adquired. This process is tightly related to the modalities and to the stucture of the rational thought underlying it. This is what we would like to show. (shrink)

When is the future? Is it to come or is it already here? This question serves as the frame for three further questions: why is utopia a bad concept and in what way is fabulation its superior counterpart? If the object of fabulation is the creation of a people to come, how do we get from the present to the future? And what is a people to come? The answers are that the future is both now and to come, (...) now as the becoming-revolutionary of our present and to come as the goal of our becoming; utopia is a bad concept because it posits a pre-formed blueprint of the future, whereas a genuinely creative future has no predetermined shape and fabulation is the means whereby a creative future may be generated; the movement from the revolutionary present toward a people to come proceeds via the protocol, which provides reference points for an experiment which exceeds our capacities to foresee; a people to come is a collectivity that reconfigures group relations in a polity superior to the present, but it is not a utopian collectivity without differences, conflicts and political issues. Science fiction formulates protocols of the politics of a people to come, and Octavia Butler's science fiction is especially valuable in disclosing the relationship between fabulation and the invention of a people to come. (shrink)

By the middle of the nineteenth century science was developing into a profession demanding advanced training and devotion to research. American institutions, however, were still better suited to an earlier stage of popular science. Many of the difficulties and frustrations for would-be scientists created by the time lag in institutional change are illustrated in the career of Cleveland Abbe. In the fifteen years between 1856 and 1871 his attempts to become an astronomer touched upon many significant aspects of (...) American science as a profession, including the American observatory movement, the creation of graduate education, government support for science, and the tension between the joint goals of the increase and the diffusion of knowledge. (shrink)

More than three hundred years after the case for toleration received classic expositions in writings by Pierre Bayle, John Locke and others, the grounds and limits of toleration remain hotly contested. While broad principles of religious toleration reign in most Western nations and elsewhere, the freedom to contest and reject dominant religious and political views is sharply limited in many places. The term ‘fundamentalism’ was originally coined by Protestant anti‐modernists and biblical literalists. It has since come to be applied to (...) a wide range of religious and even political movements, often highly traditionalistic, who reject accommodations with modern liberal culture or politics, and who see themselves as recovering an original and strict understanding of religious truths. In the United States, Protestant fundamentalists have long opposed the teaching of Darwinian evolution, and many promote ‘creation science’ or ‘intelligent design’ as alternatives. In Europe, Salman Rushdie's depiction of Muhammad in The Satanic Verses provoked violent demonstrations and led the Ayatollah Khomeini to pronounce a death sentence on the author. More recently, ‘Islamic fundamentalism’ has come to be associated with militant hostility to the West. (shrink)

In this book a team of expert academics trained in mathematics, engineering, philosophy, physical anthropology, physics, astrophysics, biology and more investigate the prospects for intelligent design. Edited by William Dembski.

Integral Science provides the empirical rigor needed to shift medicine's worldview. The shift in science will give rise to Integral Medicine, which will emerge from the integration and transformational change of biomedicine, psychosocial approaches, Complementary and Alternative Medicine, and other reform movements. The root metaphor of Integral Medicine is a healthy and sustainable ecosystem. At its heart are mind-body holism and collaborative learning. Healing and the creation of health will emphasize educational, self-care, and community support models. Implications (...) are discussed for practice, research, and education. (shrink)

ArgumentThe deficit model of science communication assumes that the creation and dissemination of knowledge is limited to researchers with formal credentials. Recent challenges to this model have emerged among “e-patients” who develop extensive online activist communities, demand access to their own health data, conduct crowd-sourced experiments, and “hack” health problems that traditional medical experts have failed to solve. This article explores the aesthetics of medical media that enact the transition from a deficit model to a patient-driven model of (...) visual representation and health communication. I present a framework for understanding the role of film and video in patient movements by analyzing the historical transition from researchers filming patients as nameless, voiceless human research subjects to patients recording their own health narratives through activist cinematography. By comparing several approaches to patient-centered video, I argue that imperfect production aesthetics play a critically important role in establishing the credibility of health communications. (shrink)

_In the light of Sri Aurobindo's philosophy, this paper looks into some of the problems of contemporary man as an individual, a member of society, a citizen of his country, a component of this world, and of nature itself. Concepts like Science; Nature,;Matter; Mental Being; Mana-purusa; Prana-purusa; Citta-purusa; Nation-ego and Nation-soul; True and False Subjectivism; World-state and World-union; Religion of Humanism are the focus of this paper. Nature: Beneath the diversity and uniqueness of the different elements in Nature there (...) is an essential unity that not only allows for this diversity but even supports it. Nature is both a benefactor and a force: a benefactor, because it acts to carry out the evolution of mankind; a force, because it also supplies the necessary energy and momentum to achieve it. Natural calamities: If mankind can quieten the tsunamis and cyclones and droughts and earthquakes that rage within, and behave with care and compassion towards Nature, not exploiting, denuding, or denigrating it, there is a strong possibility that Nature too will behave with equal care and compassion towards man and spare him the natural calamities than rend him asunder. Science: The limitation of science become obvious, according to Sri Aurobindo, when we realize that it has mastered knowledge of processes and helped in the creation of machinery but is ignorant of the foundations of being and, therefore, cannot perfect our nature or our life. Science and philosophy: The insights of philosophy could become heuristic and algorithmic models for scientific experimentation. Matter: An interesting aspect of Sri Aurobindo's philosophy is his acceptance of the reality of matter even while highlighting its inadequacies; the ultimate goal, according to him, is the divination of matter itself. Purusa: If the mana-purusa (mental being) were to log on to the genuine citta-purusa (psychic formation), without necessarily logging off from the prana-purusa (frontal formation), it may help quieten the turbulences within, which may be a prelude to the quietening of the disturbances without, whether it be physical maladies, cravings (for food, fame, fortune, etc.), destructive competitiveness; or wars, terrorism, ethnic conflicts, communal riots, and the other such social maladies that afflict mankind today. Nation-ego (false subjectivism) and Nation-soul (true subjectivism): Sri Aurobindo considers Nation-ego an example of false subjectivism, in which national identity and pride are stressed to prove one's superiority and suppress or exploit the rest. The Nation-soul, as an example of true subjectivism, attempts to capture one's traditional heritage and values in its pristine form, not as a reaction to hurts and angers or as compensation for real or imagined injuries or indignities of the past. World-state (false subjectivism) and World-union (true subjectivism): Similarly, a World-state founded upon the principle of centralization and uniformity, a mechanical and formal unity, is an example of false subjectivism, while a World-union founded upon the principle of liberty and variation in a free and intelligent unity is an example of true subjectivism Human actualization: Even if two human beings are similar, in so far as they are human beings, there is so much diversity between them. Part of the movement towards human self-actualization lies in the fact that this diversity should not be forcibly curbed, as also the realization that beneath all that appears disparate there is an essential unity. Also, man is not the end product of evolution but an intermediate stage between the animal and the divine. Moreover, he is endowed with consciousness that enables him to cooperate with the forces of evolution and speed up and telescope the next stage of evolution._. (shrink)